The song Footprints / A beautiful tribute to the genius of Wayne Shorter

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Notes

(THE ANSWER BELOW FROM From DeepSeek AI After asking for Lyrics to this gorgeous song of Wayne Shorter. Never any official lyrics to it. A beautiful interpretation of it above by Andria Antoniou https://www.andriaantoniou.com. One of the great vocalists of our times. Not the same lyrics as posted below. Note DS’s notes on Rhythmic Complexity below. I love where a gorgeous song like this comes out of some apartment like setting studio.)

The composition “Footprints” by Wayne Shorter is almost always performed as an instrumental, so there are no official lyrics written by Shorter himself. However, lyric versions do exist, written and performed by other artists.

Here is the text for the best-known lyrical version of “Footprints,” penned by jazz vocalist Kitty Margolis.

The Lyrics to “Footprints”

Thousands of years before history recorded
Deep in the jungle a woman stepped on wet clay
And the print remained there
Future reminder of ages ago

Many lives later a traveler crossed the same path
Under the vines he saw traces of that footprint
Silent testimony
Spiritual journey begun long ago

Eons of changes, illusion of some progress
Fearfulness leading us further from the soul power
Known in early ages
When nature’s heartbeat rang loud on the earth

The key to our freedom lies not just in our thinking
The ancient intuition that’s buried deep within us
Is waiting to be set free
The creator’s gift to her children must flow

We call on the past now to show us where to go
We’re closer to then than we may want to show
We’re closer to then than we may really know
Footprints
Ancient footprints

Background of the Song

Beyond the lyrics, the composition itself has a fascinating history and unique musical structure that has made it a jazz standard.

• Origin and Recording: Shorter wrote “Footprints” in 1966 at the request of Miles Davis, who wanted new material for his band to play on gigs. The tune was first recorded by Shorter for his own album Adam’s Apple, but the first commercial release was actually the version by the Miles Davis Quintet on their album Miles Smiles (released 1966)-2. The quintet featured an all-star lineup: Miles Davis (trumpet), Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums).
• Rhythmic Complexity: One of the most distinctive features of “Footprints” is its rhythm. It is often written in 3/4 or 6/8 time, but it’s not a traditional jazz waltz. The feel cleverly alternates between a triple meter (like a 6/8 African-influenced groove) and a 4/4 swing feel. On the Miles Smiles recording, drummer Tony Williams masterfully shifts between these feels, while bassist Ron Carter plays a 4/4 Afro-Cuban figure (known as tresillo), creating a sophisticated, layered rhythmic texture that was quite innovative for straight-ahead jazz at the time.
• Harmonic Structure: The song is based on a 12-bar blues form in the key of C minor. However, Shorter disguises this familiar structure with a unique and modern “turnaround” (the series of chords that leads back to the beginning). Instead of a standard progression, the original version uses a challenging sequence: F#m7b5, F7#11, Eaug7(#9), A7(#9), before resolving to Cm7. This gives the blues a mysterious and sophisticated harmonic flavor.

For more info see https://en.wikipedia.org/wiki/Footprints_(composition).