World and Figures are all AI / 2 Hours of Relaxing Retro Sci-Fi Jazz / By Ai Fascinating
My cousin David Berry was one of the original people to work with George Lucas in LA and then up at his office in San Rafael. David worked on many scenes in Star War and then won the Oscar in 1985 for Best Visual Effects on the film Cocoon. We trade videos we find back and forth over the net. David sent this video tonight abve, sent to him by a friend. Modern special eccets with AI. The whole prodcution and shoooting and mulsic was made by one person.
As Ai Fascinated notes, Spring is in full bloom in the luxurious suburbs of retro sci-fi 1950s America, and this time the journey unfolds across a full 2 hours of music and visuals. The soundtrack gradually drifts from more energetic retrofuturist 1950s swing jazz into gentler, more relaxing swing, then into orchestral jazz, and finally into ultra-relaxing lo-fi retro sci-fi jazz with a dreamy futuristic atmosphere.
Along the way, we spend time with the people of this retrofuturist suburban world as spring draws everyone back outdoors. We see men and women enjoying the season with their beloved cats and dogs, pets delighted that their humans are finally spending time outside again after the colder months. We also move through a scuba-diving section where people prepare in sleek futuristic diving gear before gliding beneath the surface among coral and fish, turning the nearby waters into a radiant underwater spring dream. From there, the video shifts into playful spring sports, with stunning women and handsome men competing in tennis, climbing, archery, and golf beneath the warm light of the season. Throughout the film, spring feels alive everywhere, not only in the gardens and sunlight, but also in the wildlife, with birds, peacocks, butterflies, ladybugs, bumblebees, and even beautiful beetles appearing across the suburban dreamscape.
The first 50 minutes are made up entirely of new original sequences. You may spot a few familiar faces from some of my recent shorts, but they appear here with upgraded visuals, brand-new shots, and a more refined cinematic treatment. The rest of the video continues within the same springtime world and visual atmosphere, extending the experience in a more unedited and meditative form.
You may also notice some differences in visual quality throughout the video because I used multiple AI tools during production. One of them, Kling 3.0, is clearly stronger than the others in my opinion, and I truly wish I could have used it for the entire project, because it is such a powerful, fun, and impressively consistent tool. At the moment, though, it is still too expensive for me to rely on across a production of this scale, so I had to combine it with other tools to make the full 2-hour piece possible.
As always, this kind of long-form video takes a huge amount of time for me to create, so I truly hope you enjoy your stay.
Ai Fascinated
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How I Make Most of My Videos
I start by generating images with Midjourney, typing text prompts and experimenting with settings like chaos, stylization, and moodboards until I get images that radiate the style and actions I want. Then, I polish my favorites with the brush tool, fixing little details that make all the difference. Once I’m happy, I write prompts to animate them one by one—using tools like RunwayML, Hailuo, Kling, Veo, Luma, or Midjourney. I bring the best scenes into Premiere Pro for a manual montage, syncing the edits to the music and choosing the order with some quite abstract artistic logic. This whole tech-heavy process still manages to bring out my creativity. Even though it’s all done using digital AI tools, it feels like art to me. When I can’t look away, that’s when I know a video is ready to be posted. If you’re as curious about the future of art, creativity, and AI as I am, you’re in the right place!Links;
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